A pair of sculptural studio ceramics by Dameon Lynn, each composed of stacked geometric forms in contrasting glazes. The taller piece features a flared, tapering neck in textured white over an iron-rich base; the companion form is finished in a deep charcoal glaze with subtle metallic sheen. Together they exemplify Lynn’s architectural approach to balance and proportion — objects poised between vessel and sculpture.
Signed with Lynn’s impressed ‘D’ mark to the base.
England, contemporary.
Heights 29 cm and 24 cm.
Lynn’s works are increasingly collected alongside post-war British studio ceramics, bridging the language of Hans Coper and the British sculptural tradition
